OK, so I have been seduced by wordpress. come join me there, all the posts you see here, plus new ones coming along all the time. sorry blogger :(
see you there! :)
The graphic imagery is what I wanted. I have decided to call this project 'blood on their hands', and this refers to the shocking behaviour of some sectors of the church during the 17th and 18th Centuries. Hanging was a near daily experience in the city of Edinburgh with bodies left on display as a reminder to the citizens of what happened to those who did not conform to society's rules. I don't think my final piece weill be as dark as this, but we'll see when I get up into the workshop tomorrow.
So here they are...my first beads! Managed to get some silver glass to wark, used frit. and encased and used stringer (hand pulled dont you know?!). Shocking at dots though, they need to be practiced. Overall though, I am happy with them, and more are annealing as we speak...
The whole reason I was making these was to find a couple of beads I can use in my current 'Crime and Punishment' project. Well, I think I have them :) you will have to wait a bit to see what I mean though.
Going out to Greyfriars again to sketchbook more on Sunday morning, must fill the pages! Have a good weekend!
Today started with a lecture. Basically, Hamid our lecturer held two fingers up at us and said 'This is how many semesters you have left until your dissertation hand in". Ouch. So, that having been said I'm mulling over my proposal in my mind and trying to think of sources. The idea I'm going with is the place jewellery has within the genre of public art. Does it have a place at all? How can jewellery be interactive? As far as I have manged to define it, public art is something which people stumble across, they don't seek it out like an exhibition. In a way it is forced upon them to view and judge. Can this be the case with jewellery (I want to define jewellery in this case as 'wearable art')? If it is, how is it received and what effect does it have (positive or negative) on the public? If this is not the case, then how can one make it so? What would be the advantage of giving jewellery a place in the public art realm? Or is jewellery something meant to be personal and private, close to the heart and not to be shared with just anyone?
So many questions. I'm confused by the whole thing to be honest. If anyone reading this has any opinions please feel free to leave me a comment, it would be very much appreciated :)
Meanwhile, this is a nice starting point. The photos are the work of Jane Gowans, a jeweller who graduated from Duncan of Jordanstone last year. These two are called 'Grope' and 'Slap'. This takes forcing the public to see and judge a piece to quite a literal level! So I'll be trying to talk to her about her opinons too :)
I revamped the Favela again! Much happier with it though, but no photos...sorry, ***** camera charger arrived and its American, so doesn't fit in the socket! Assessment yesterday went well though :) some nice positive feedback.
So onto the next project...Crime and Punishment...and thankfully not the Dostoevsky one! Back to Greyfriars Kirkyard, the Covenanter's Prison and Edinburgh's gruesome history I think. I'm really keen to bring some lampwork into this project and mix glass and silversmithing to prove to myself it can be done. The other two stipulations for this project is that it has to be Narrative (shouldn't be a problem) and a brooch (also a good thing because a brooch is hard to over complicate...I hope).
So here is what I know about the Covenanter's Prison (which is situated in the Kirkyard and so 'haunted' it is locked so the public can't get in) is this:
The Covenanters were in short a group of people who, in the 17th Century, drew up an agreement to promote Presbytarianism in Scotland, a branch of Christianity favoured in general by the public, as opposed to Episcopacy, which was favoured by the Crown. In 1679 as a result of the battle of Bothwell Bridge, around 1200 Covenanters were imprisoned, and about 400 of them in Greyfriars Kirkyard, awaiting trial. They were kept in the prison over five months, which happened to be in the winter. It ended in them either being executed, transported abroad as slaves, or in the case of many of them, dying while imprisoned in the Kirkyard.
Thats a very brief summary, but I'll develop it further through the project, especially exploring the 'punishment' side. It seems silly not to use Edinburgh's history since its just on the doorstep. I'll try and scan in some older sketches I did of the kirkyard during the summer so you can see what I'm going for. Meanwhile, above are a few photos which I'm using for inspiration :)